Five minutes with Janet McGaw


the latest in the occasional series introducing PHA NSW and ACT members.

What is your current position/area of historical interest

I am transitioning from full-time administrative work to part-time casual so that I can concentrate on building up a new career as a professional historian.

I have wide-ranging interests but my main focus is Australian theatre history. I am currently researching the Sydney Players’ Club, an amateur theatrical society that gave the first performance in Australia of a number of European and British plays in the 1920s and 1930s.

What made you decide to pursue a career in history?

I have always loved history, but didn’t think of turning it into a career until relatively late in my working life. I did secretarial and administrative work in the tertiary and not-for-profit sector for 35 years, at the same time as completing a BA and Master of Letters. Most of the courses I completed were in history subjects, predominantly nineteenth century British and European history. When I was searching for a topic for my MLitt dissertation, I decided to combine my passion for history with a love of theatre. I developed this interest further with my PhD thesis. Once I began my research into the history of New South Wales country dramatic societies, I loved piecing together evidence from many different sources, including archives, ephemera and memory. I realised I should have made history my career a long time ago.

Who is the audience for your history?

I want my history to reach a general audience in a way that sparks interest and prompts people to ask questions of their own, rather than take what they read and hear for granted. I also want to write for scholarly journals because Australian theatre history is a relatively recent academic discipline and there is still a lot of ground to cover. Theatre can tell us a great deal about changes in social, economic and political life.

What’s your favourite historical source, book, website or film?

Companion to theatre in Australia, edited by Philip Parsons with Victoria Chance, was published in 1995 and has never been updated, but it has been an invaluable source over the years. I read it from cover to cover to identify gaps which gave me the starting point for my thesis topics, and I still use it frequently for reference.

If you had a time machine, where would you go?

Victorian Britain has always fascinated me because of the massive changes that took place as a result of industrialisation. It would have been exciting to travel by train during the early years of the railways. I grew up close to one of the first passenger lines in the world and I have always been mad about trains.

Why is history important today?

History is important on many levels. Every time I go to the State Library I see people researching their family history, trying to find out where they came from and who their ancestors were. History helps us to understand the present. I knew very little about Australian history when I emigrated from England over 30 years ago, and if I hadn’t taken an interest, I can’t imagine how I would make sense of the world I live in now. History is constantly being re-interpreted from the perspective of the present and in the light of fresh evidence, so we must never take anything for granted. We need to keep asking different questions and challenging received accounts.

I am also a great believer in telling personal stories because they help us to recover history that otherwise might never be acknowledged. I am thinking of the people I interviewed who were involved in country dramatic societies in the 1950s and 1960s. These groups had been overlooked by theatre historians because they were “amateur”, but they were a valued part of the local community and, in some cases, they changed people’s lives.

Public History Prize 2015


Birgit Heilmann reports

The 2015 Public History Prize was awarded to Imogen Dixon-Smith (pictured right) for her essay, Keeping up with the times: Complicating understandings of gender at the historic house Meroogal.

The judges, current chair of the PHA NSW & ACT, Dr Mark Dunn, and Dr Catherine Bishop, Historical Studies Research Concentration Coordinator at the Australian Catholic University, were unanimous that this paper was the standout in a strong field of entries. Imogen’s essay was part of her Master’s thesis in Museum Studies at Sydney University. She investigated the way gender is represented at Meroogal, a historic house in Nowra run by the Sydney Living History Museums.

The judges awarded a Highly Commended citation to Claire Ogle (pictured left), whose project, Gumine Oral History Archive was undertaken as part of a Bachelor of Arts at Sydney University. Claire created a website to preserve oral histories of elders in Papua New Guinea, as well as present some breathtaking photographs.

Congratulations to both students for their excellent submissions!

Slight changes in the condition of entries increased this year’s submissions. The 2015 Public History Prize was open to any student (undergraduate, graduate diploma, master studies) in NSW and ACT whose work engaged with the field and practice of professional and public history (both Australian and international).

We received 18 high quality submissions. These were a mix of more traditional essays and other project types, including an outline for a play and website projects.

For the first time, the prize was awarded at its own event and not, as in previous years, as part of the ‘History in July’ event. About 30 guests, including members, students and guests attended the award night at History House on 1 March 2016. Besides the official presentations, everyone enjoyed social conversations, cheese and drinks.history night

Before the prize was officially awarded by the judges, three PHA NSW & ACT members each gave a five-minute presentation of their current work. Pauline Curby spoke about Aboriginal place names in Sutherland Shire; Dr Ian Willis talked about his research into the Red Cross and the Liverpool Field Hospital; and Dr Judith Godden made a presentation about a blind woman’s vision for mental health.

Entries: Public History Prize 2015

Shayma Taweel: ‘A place to heal’: memorialising the Appin massacre in the era of reconciliation.

Ian Dehlsen: Anzac Parade and our changing narrative of memory.

Geraldine Fela: Balls and Chains: Reconsidering separatism in the Australian gay liberation

movement of the 1970s.

Cassandra Watson: Callan Park Writers Walking Tour.

Claudia Howarth: Comedy in Canberra? It’s an inside joke.

Alannah Westcliffe: Crossing the yellow line: how local Tasmanian activiam effected state, federal and international change.

Claire Ogle: Gumine Oral History Archive.

Joshua Favaloro: Haberfield online: Discovering Australia’s First Garden Suburb.

Davida Ivey: History Capstone Report.

Imogen Dixon-Smith: Keeping up with the times.

Kieran Pender: Red Scare On Ice.

Sara Golru: Redfern Legal Centre – Achievements and Highlights.

Madeline Fisher: The Chef’s Dilemma: A Play.

Aidan Beiboer: The Civic Theatre – A History.

Ruby Arrowsmith-Todd: The community media bus, rides again.

Louise Waugh: Thomas Dix: An invisible individual stick within the historical scholarship of the Newcastle Miners’ Association bundle,1887-1892.

Adelaide Welling: Willoughby Girls Podcast.